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MANFRED MANN - Down The Road Apiece (1963-1966) 2007 4CD MP3@320

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 							MANFRED MANN - Down The Road Apiece (1963-1966) 2007 4CD 
  2007 Digitally Remastered Four CD
Retrospective Set of the Group's Recordings for EMI from 1963-66. Manfred Mann (The Band) was Started by Jazz Musicians
Mike Hugg and Manfred Mann. Jazz was Fulfilling to Play, but Didn’t Pay Well, So They Decided to Change Direction
and Form an R’n’b Band. They Recruited Other Similarly Under-employed Jazz Players and Held Auditions for
a Singer Or "shouter" as it was Described to Paul Jones who Eventually Got the Job. The Line Up was Completed by Mike
Vickers and Tom Mcguiness. Jones’ Harmonica Gave the Group their Distinct Sound and They Soon Became One of
Britain’s Leading Rock Bands of the 60’s. They Hit the Top 10 Regularly with Hits Like "5-4-3-2-1", "do
Wah Diddy Diddy", "Sha La La", "Come Tomorrow", "if You Gotta Go, Go Now" and "Pretty Flamingo". Includes Sleevenotes
Written by Tom Mcguiness as Well as a Sessionography and Illustrated Discography. The Tracks Include Seven Previously
Unreleased Recordings as Well as a Wealth of Rarities!
 
 MANFRED MANN - Down The Road Apiece (1963-1966)
2007 4CD 
  Disc One = 67:52
  01 - Why Should We Not
  02 - Brother Jack (Frere Jacques)
  03 -
Now You're Needing Me
  04 - Chattering
  05 - Cock-A-Hoop
  06 - 5-4-3-2-1
  07 - Without You

 08 - I'm Your Hoochie Coochie Man
  09 - You've Got To Take It
  10 - Down The Road Apiece
  11 - Mr.
Anello
  12 - Sock O' Woe
  13 - Hubble Bubble (Toil And Trouble)
  14 - I've Got My Mojo Working
 
15 - Smokestack Lightning
  16 - I'm Your Kingpin
  17 - Ain't That Love
  18 - Bring It To Jerome
 
19 - Sticks And Stones
  20 - Untie Me
  21 - Don't Ask Me What I Say
  22 - It's Gonna Work Out Fine
  23 - What You Gonna Do
  24 - All Your Love
  25 - Do Wah Diddy Diddy
  26 - Groovin'
 

Disc Two = 66:29
  01 - Can't Believe It
  02 - The One In the Middle
  03 - Did You Have To Do
That
  04 - A Love Like Yours (Don't Come Knocking Every Day)
  05 - She
  06 - John Hardy [Mono]
 
07 - Sha-La-La [Mono]
  08 - Watermelon Man
  09 - Dashing Away With The Smoothing Iron
  10 - Come
Tomorrow
  11 - What Did I Do Wrong [Mono]
  12 - I'll Make It Up To You
  13 - With God On Our Side
  14 - Look Away
  15 - Sie (She In German)
  16 - Weine Nicht (Come Tomorrow In German)
  17 - Bare
Hugg
  18 - What Am I To Do
  19 - Oh No Not My Baby
  20 - L.S.D.
  21 - I Can't Believe What You
Say
  22 - What Am I Doing Wrong-
  23 - Poison Ivy
 
 Disc Three = 68:27
  01 - The Way
You Do The Things You Do
  02 - The Abomidable Snowman
  03 - Watch Your Step
  04 - Stormy Monday
Blues
  05 - I Really Do Believe
  06 - You Don't Know Me
  07 - My Little Red Book
  08 - Since I
Don't Have You
  09 - You Gave Me Somebody To Love
  10 - You're For Me
  11 - Hi Lili Hi Lo
  12 -
If You Gotta Go, Go Now
  13 - Stay Around
  14 - There's No Living Without Your Loving
  15 - Tired of
Trying, Bored With Lying, Scared of Dying
  16 - I Put A Spell On You
  17 - God Rest Ye Merry Gentlemenn
  18 - Let's Go Get Stoned
  19 - That's All I Ever Want From You Baby
  20 - Spirit Feel
  21 -
Tennessee Waltz
  22 - When Will I Be Loved
  23 - Tengo Tango
  24 - Still I'm Sad
 
 Disc
Four = 68:52
  01 - I Got You Babe [Mono]
  02 - My Generation
  03 - (I Can't Get No) Satisfaction
[Mono]
  04 - You're Standing By
  05 - She Needs Company [Mono]
  06 - Machines
  07 - Driva Man
  08 - It's Getting Late
  09 - Pretty Flamingo
  10 - Come Home Baby [Mono]
  11 - Why Should We Not
[Take 1] [Mono]
  12 - I Don't Want To Know [Take 6] [Mono]
  13 - Let's Go [Take 1] [Mono]
  14 - Tell
Me What Did I Say [Take 3] [Mono]
  15 - Brother Jack [Take 3] [Mono]
  16 - Without You [Take 2] [Mono]

 17 - 5-4-3-2-1 (Parts 1 & 2) [Mono]
  18 - 5-4-3-2-1 (Ready Steady Go Theme) [Mono]
  19 - Mr. Anello
[Mono]
  20 - You've Got To Take It [Mono]
  21 - Untie Me [Mono]
  22 - You Gave Me Somebody To Love
[Mono Single Version]
  23 - The One In the Middle [Later Version][Mono]
  24 - Group Interview [Mono]


 All Music Review:
 Manfred Mann was a band that never got a lot of respect, least of all from their
own record label, EMI. They generated hits on both sides of the Atlantic and released their share of albums, singles,
and EPs. But apart from the hit singles (which, in keeping with the practice of the time, were separate from and not
represented on their U.K. albums), one had a real sense that it was only the most serious listeners (and primarily other
musicians) who were listening to their records, especially when you took original lead singer Paul Jones out of the
equation, which is exactly what EMI did in 1966 by signing him as a solo act and then dropping the band from its roster.
They survived this indignity and went on to record a string of subsequent hits on Fontana with lead singer Mike d'Abo,
and more albums that showed off what they could really do, before the members went their separate ways in music at the
end of the '60s. Over the years, however, few bands covered them and they weren't often cited as an influence the way
that the Who, the Kinks, the Animals, the Small Faces, and even the Move were. There have been earlier reissues of their
EMI recordings -- still, the exhaustive (yet not exhausting) four-CD set Down the Road Apiece: Their EMI Recordings
1963-1966 can almost be regarded as the company's apology to the band, a long-overdue vault raid that issues every
single, EP track, and LP track ever released by the band, plus a tiny handful of surviving outtakes, that the group left
behind. 
 
  Influence is not the same as accomplishment, and Manfred Mann, in their earliest incarnation,
were certainly accomplished, as musically adept as any of their peers, and more versatile than most. With the exception
of the Beatles, there's not a major act on the EMI roster whose library contains so much seriously worthwhile music, so
densely packed with virtuosity and inventiveness -- and none (including that of the Beatles) that veers so wildly around
the definition of pop/rock, the singles usually serving as nothing more musically than an accessible anchor for all
kinds of jazz-cum-R&B excursions, all compartmentalized in neat little three- to five-minute packages; for all of
their ambitions, the Manfreds understood the needs and limitations of pop listeners, and as this set demonstrates, they
were always trying to reach them in form if not style, and draw them to their "real" sound and the sensibilities behind
it. In that sense, they were every bit a musically subversive (in the best sense) as the Rolling Stones -- what's more,
collectively, they were also a bit reminiscent of big-band jazz legend Jimmy Dorsey, a heartbreakingly talented musician
for whom stardom, band leadership, and pop success were merely the means to get to play what he liked. The very size of
this set -- four discs, just three cuts shy of 100 tracks, over four hours long -- means it's for serious listeners, but
that doesn't mean that it's only for the already converted, as this, more than hits compilations, really illustrates how
different Manfred Mann were from their peers: jazzier and stylish, not as gritty or hard -- the cover photo illustrates
just how odd they were in the company of the Beatles, Gerry & the Pacemakers et. al, five guys who looked more like
ex- (and not so ex-) beatniks and jazz musicians (and one who could pass for an accountant), more than pop stars. But
they pulled off the masquerade musically and generated enough hits to keep countless best-of compilations in circulation
for decades. Here's the chance to hear the rest of their work, in phenomenal sound, and all annotated by
bassist/guitarist Tom McGuinness, no less (supported by a full sessionography and discography). 
 
  That
Manfred Mann were a different band than the rest is immediately evident from the first track here, "Why Should We Not,"
a slinky minor-key instrumental that plays like Ellington's "Caravan" with a blues harp. Throughout their EMI
recordings, Manfred Mann alternated between these jazzy numbers and rave-ups that sounded like a cleaned-up Yardbirds.
Manfred Mann's organ could be reminiscent of the Zombies, but they never were as pop as the Zombies -- they were a
hardcore rhythm & blues outfit, grooving like an Animals with no sense of menace. This isn't a detraction, it's a
distinction, as that sense of jazzy, swinging sophistication separates them from the rest of the British Invasion.
Indeed, it's hard to think of another band of their era whose biggest hit -- of course, a cover of the girl group
classic "Do Wah Diddy Diddy," a single that remained omnipresent for decades -- was so misleading, not giving a real
hint of what the band was all about. Certainly, their first album, 1964's The Five Faces of Manfred Mann, was a better
representation of their jazz and R&B sensibility, but their jazz nature is easier to discern on this set, assembled
as it is in session order and ending in 1966. All of this is not to say that Manfred Mann didn't cut pop singles in an
attempt to follow up "Do Wah Diddy Diddy" -- there are other poppier covers of girl group tunes, plus an early cover of
Dylan's "If You Gotta Go, Go Now" in 1965, and they finally had another big hit in both sides of the Atlantic with
1966's "Pretty Flamingo" -- and there are enough relatively hidden pop nuggets like the wonderful "Tired of Trying,
Bored with Lying, Scared of Dying" to make this well worth digging through for British Invasion pop fanatics. But the
enduring impression here is of an exceptionally skilled, versatile R&B combo, one whose nimble touch is easier to
appreciate and love when heard in bulk as it is in this set, their gift becoming more apparent the more music is
heard.
 
  Torrent created and uploaded by mikes0008 on kickasstorrents 2015.04.04 						

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